At the heart of art

The impulse to create beauty

I’ve just returned from four days of investigations at a hospital, trying to see if I’m a candidate for a heart transplant. I also talked to other patients on my hospital corridor, who have walked farther down the trail of suffering and patience than I have ever ventured. This is the second time I’ve gone through this exercise and I have come home with my head rather full, and the introvert’s need to sit at home for a long time and think about it all.

Somewhere in all that, I asked the question, What am I for?

Trying to answer that doesn’t involve me attempting to respond objectively and rigorously, even if I had the equipment or the courage, which I don’t. Instead, that question is a prompt to motivations and perhaps to temperament or psychological health. Another way of framing the same question is something like how do I feel about going on living? Or how much do I want to continue to exist and contribute?

There’s an answer to this around the idea of knowing and glorifying Christ, and that is my answer too, there is no meaning outside of him, but within that general answer there must be specific route-maps for each person. The tug of love, pulling us to go on living for someone else’s sake or some others’ sake is certainly a huge component of the vector.

I find another part though. I want to make beautiful things. In my world, this has to mean writing, and it has to mean writing something that someone reads, five minutes from now, or five weeks, or even five centuries, and that person’s thoughts and mine connect over all that distance, and the thing that has lit me up lights them up too.

I wonder if this isn’t the impulse behind all art, both the tawdry and the epic, and perhaps lots else too. Make something beautiful. Add to the stock of our herd’s insights, creativity, beauty and overall wealth. I’ve often envied a musician’s ability to dream up a melody that previously didn’t exist but that the whole world comes to know and indeed may even continue to know until the end of time. Think Hey Jude or Beethoven’s setting of Schiller’s poem in his Ninth Symphony. Using words to combine thoughts in attractive forms is a micro-scale enterprise compared with that, and I do not say I am good at it, but it is what I have.

The Christian hope for history is the fulfilment of all things and one of the pictures is the New Jerusalem, the city of God, the fulfilled human community, lit up by the light of God’s face. A feature of the New Jerusalem is that its gates are always open. Nothing evil or mean or superficial is allowed in but what does flow in is the wealth of the nations, the baking and the architecture and the engineering and the melodies and the elegant theories and the eloquent art. The patiently and lovingly constructed treasures, dusted as they are – as they must be- with sprinkles of divine pleasure. What am I for? A piece of that.

Image by Siggy Nowak from Pixabay
Go far, go slow
'So much here that speaks of God's power and love'

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