The basics of good health

‘The one thing that can keep communities alive and health services viable.’

I am one of those who has enjoyed the pandemic journalism of Private Eye’s ‘MD’ who being both a practising doctor and a human being can understand and communicate stuff that journos (who often lack the right number of degrees) and politicians (who might be a bit detached from the truth) may not be so hot on. In pandemic-world, I think, journos and politicians are both talking about face-covering while actually attempting to cover something else, and I don’t mean the story.

So. MD (real name Phil Hammond apparently) on health in this week’s Eye (I mean the week I am writing this blog, which is about two weeks behind you reading it. I don’t blame you for this. It’s hard to ask readers to read stuff that hasn’t been published yet.)

The basic ingredients of health are well-known, well-evidenced and fairly easily remembered using the mnemonic CLANGERS, as in: Connect; Learn; (be) Active; Notice; Give back; Eat well; Relax; Sleep.

Friendship and a feeling of belonging; an ability and curiousity to learn and adapt; purposeful physical and mental activity; observation and appreciation of the environment; compassion for others; food that is both delicious and nutritious; an ability to switch off and relax and regular, restorative sleep — collectively these daily joys of health are more powerful than any drug. The privileged can do them every day, even in lockdown. If we all managed them, we would barely need the NHS. But if you’re living with debt, discrimination, depression, domestic abuse, drug addiction, dementia, etc, they are much harder to achieve.

The focus on prevention, helping others and lifestyle medicine is a lot cheaper and more enjoyable than medicating for diabetes and depression. Indeed it’s the one thing that can keep communities alive and health services viable.

MD has put some of his wisdom into a cheery YouTube video just here:

And if you are a regular reader of MD you can parenthetically notice that writers are often different in person than they are on paper, often gentler, as here.

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